The first scientific-iconological survey ever on the most traditional and most topicalized genre in Japanese arts, Fuji Painting, from its origin in antiquity in the 9th century, through the Middle Ages (Sansui-Painting in especial), to its apex in Edo Ukiyoe Painting (Hiroshige and Hokusai). It facilitates you to acquire a substantial and concise perspective not only on the Japanese art history but above all on the Japanese psyche in most impressive features. The author’s style is sufficient both for specialists and for the friends of Japanese culture in general.